Many years ago I started making sculpture after many years of printmaking. My move from Bangkok to Chonburi and the countryside of Thailand was decisive in this sculpture is, for me, a more direct way of making art, a connection with living materials such as wood and tomatoes: it is working with energies. The tomato is a common and global object and, being natural, it rots-then we throw it away without care or consideration. I see the process of the aging tomato as an analogy of change in human life.
Through my work I would like people to pay attention to the tomato as symbol of their own lives. To me touching/physical contact is important to realizing ways: which energy flows and I have experimented with this: discovering that through touch prolongs the life of a tomato.